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Script update

DELILAH pushes away from the embrace slowly, clearly not wanting to end the moment. She slowly looks up, mascara starting to run down her Blushing cheeks. DELILAH Shoot out, his office got raided... Cops suspect the... Mafia... She suddenly thrusts back into CRUZ’s chest, sobbing louder this time. CRUZ comforts her some more, resting his head on top of hers, briefly enjoying the moment when SUSAN barges through. SUSAN is holding a lot of files, glasses slipping down her nose and hair in a mess from rushing around constantly foR CRUZ. SUSAN scurries towards the desk trying to look for space when the files in her hands fall to the floor. Huffing She bends down to the pick up her files. SUSAN Cruz, I’m so sorry, these just need an arrest report. Where do you need them? CRUZ moves out of DELILAH’s embrace to help SUSAN pick up her files. CRUZ Susan, it’s fine. Leave them over there and I‘ll try to get them done by the end of the week. CRUZ and SUSAN finish picking up t...
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Winter’s bone Essay

How far does ‘Winter’s Bone’ rely upon an understanding of its social context? Refer to at least one sequence in detail     In the film, there is scene of a ‘showdown’ between Ree, Teardrop and the local authorities. The rule of thirds in the beginning of the sequence shows the two sides of the family in the car; Ree wants answers for her dad and teardrop wants to put it to bed. Regarding the social context of the film and a message that is portrayed throughout it is that there is no such thing as questions. If someone has disappeared they have disappeared. This is effective in the way that the rule of thirds helps the audience to truly visualise the dynamics of a Missouri family living in the Ozarks where the family loyalty is the strongest.     When flashing lights appear behind the car, Ree tells Teardrop to pull over and ‘see what he wants’. Teardrop becomes reluctant. This is because the Ozarks are a place where the men are dominant, what they say or in this...
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Coursework script starting point

INT. POLICE STATION- DUSK THE STATION IS RIFE WITH PEOPLE, ARRESTS BEING MADE AND FILES BEING TRANSPORTED AROUND TO VARIOUS DESKS LACED AROUND THE PLACE. PEOPLE WORKING OFF BENCHES AND HOLDING CELLS BURSTING AT THE SEEMS. IN A SINGULAR OFFICE, WE SEE CRUZ, SCRUFFY LOOKING SHIRT WITH A CIGAR, STARING INTO THE WINDOW OF THE OFFICE. HE SEEMS TO BE THINKING ABOUT SOMETHING THAT SEEMS TO WRACKING HIS BRAINS. HE LOOKS OVER TO THE DESK, SEEING THE PILES UPON PILES OF CASES. DELILAH comes storming in the office, pushing the through the door of the office. DELILAH (Panting) Cruz! I need your help, you’re the only one I can trust right now! DELILAH goes straight to the whiskey decanter in the bottom drawer of CRUZ’s desk, pulls out two glasses, proceeds to pour for the two of them CRUZ, startled by the entrance of DELILAH, puts his cigar down into the ash tray and takes the glass from DELILAH, carefully sipping the liquor. CRUZ Delilah, Its been a while... DELILAH downs the ...
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