For my coursework, I am going to be doing a screenplay for a thriller. The main theme will be a mixture of a film that starts with an enigma and the development of a single character.
After watching a multitude of films over the summer, I have come to the conclusion that this 90s crime thriller is the best film to have watched. This is for many reasons, like the unique character development that progresses throughout, the ever unwinding story line and the ambiance of the film. The first thing that caught my attention when watching the film was of the relationship development between the two protagonists, Detective Mills and Detective Somerset. At the beginning of the film the audience is lead to believe that this pairing is initially not going to work with Detective Mills being very unorganised and dazed by the busy atmosphere of New York, as seen when he bumps into a woman on the bustle of the streets. On the other hand, detective Somerset is calm and collected whilst talking to his partner and walking the streets. This can be interpreted as a reflection of the experience both detectives have by working in the police force. This can also create preconce
INT. POLICE STATION- DUSK The station is rife with people, arrests being made and files being transported around to various desks Laced around the place. People working off benches and holding cells bursting. In a singular office, we see CRUZ, scruffy looking shirt and detective badge hanging around his neck, a cigar in his mouth, staring into the window of the offIce. He seems to be thinking things over. He looks over to the desk, seeing the piles upon piles of cases. DELILAH comes storming in the office, pushing through the door of the office. She is wearing a long dark coat, long curly hair and lipstick. CRUZ (V.O) It was A normal Saturday in Crime town. chaos working like clockwork, for everyone. Not every night is the same in this place, never. DELILAH (Panting) Cruz! I need your help, you’re the only one I can trust right now! CRUZ (V.O) Delilah Miller, formerly known as Delilah Rose. One of the prettiest women in the City, and my... friend DELILAH goes
One particular problem that comes to the forefront of the screenplay is the genre of the film. With the film being a film noir, the characters in the storyboard may be dressed appropriately, but he location will look too modern for my liking. One way I could is this problem would be to change the genre to Neo noir, like ‘Blade Runner’. Another problem i have faced is with the script is the inclusion of the typical conventions of film noir, for example a voice over of the trouble protagonist. i have used a femme fatale and described shots to be with typical dark and wet weather, however the most challenging part of the script was to include a voiceover. A reason for this would be that I am finding it hard to include such a thing. The voice over is there to provide extra information for the passive audiences, however, being an active viewer, personally I’d like to use the voiceover in a way that allows the audience to be able to see the inner thoughts and feelings of the protagonist.
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